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Essay on the True Manner of Playing the Clavier Zweyter Teil | Part II |
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| 16. Capitel. Vom Accord der großen Septime 1. Abschnitt. |
Chapter 16. On the chord of the major seventh Section 1. |
§. 5. Wenn man den Dreyklang von der Septime des Grundtones nimmt, so hat man  in der Hand.
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§5. If one plays a triad over the seventh above the bass, then one has the chord in the hand.
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